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Showing posts with the label Obsession

Contemplating the Book: My Life in Writing

I keep working on so many writing projects that mostly will never see fruition, spreading myself so thin in order to avoid imposter syndrome and the inevitable focus on what I see as failures. My whole life has been one long struggle to communicate coupled with an obsessive need to document my struggle through different writing forms and ideas. Lately, I have been contemplating the book while finishing up a few articles.  I am writing this post to keep myself honest and focused. My ultimate goal is to put together the proposal and the introduction before the end of summer. I want to conclude the two projects I am working on, but I have to wait for the inevitable comments. I published one book chapter this year, but another was canceled. I am waiting for additional feedback on two journal articles. I was hoping I could meet my other writing goals by summer, so I can focus most of my time on researching the book and beginning to finally draft it.  Today I am dealing with carpal ...

Track This: The Mountain Goat's "Hast Thou Considered the Tetrapod."

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While "This Year" generally gets the most accolades of the songs on The Mountain Goat's arguably most signifcant song cycle, The Sunset Tree , due to its catchy chorus and relatable message, my favorite track on the album is undoubtedly "Hast Thou Considered the Tetrapod," although its nearly impossible to pick a song from this stellar set of doubtful, autobiographical uncertainties. The album fits into what I consider John Darnielle's greatest period, the albums that added more instrumentation starting with Tallahassee and stretching to Heretic Pride . Of course, there are also cases to be made for Darnielle's earlier boom box tape recordings. After that, I drifted away from their catalog and am hoping to revisit the later albums more extensively.  I could probably write about most of Darnielle's songs, but "Tetrapod" connects more closely to my life than many of the others because of its relationship to music, growth, and fear. The pain o...

On the Weight of Vinyl: A Life of Moving Heavy Records

I have been moving into our new house for what seems like days. First, we had to paint each room and remove the carpet, and then we have slowly been moving our stuff over the past week. Whenever I move, I think about getting rid of some of my records or books because of the effort of moving them. Of course, this never happens, and I find myself moving more each time, constantly swearing and cursing at myself for my collection.  I generally move them by myself so that no one else will have to suffer. I take the records off my shelf, put them in plastic storage containers, and then lug them to my car only to lug them out again. When I am done, my arms are black and blue from bruises. These deep bruises will turn yellow and take weeks to heal. When I move books in town, I have switched to smaller boxes and more trips to make it easier, but I have not found a better way to move vinyl. I started using large milk crates, but they beat my arms up as much and took more time. I ended up set...

The Beastie Boys Book and How Music Shapes Us

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I've been reading the Beastie Boys Book , and Luc Sante's introductory, "Beastie Revolution," gave me chills. He describes New York City in the 1980s in terms that bring the city to life. He explores the intersections of different cultures, and how each defined the city, as background to The Beastie Boys' journey. His essay is a loving exploration of hip hop and the city that recalls Ed Piskor's graphic history,  Hip Hop Family Tree. This passage resonates strongly; particularly because it captures the impact of music on many of our lives:      "Even if music isn't your gift or your strong suit you are obsessed with music, and even if you are      completely incapable of making music yourself, you want to live inside it. It's the primary      language of your time, the major medium of exchange, the principal commodity . . . it rules and      shapes every moment of your life . . . and all the music around you is in the...