Snobbin: Beautiful Trash in the Pop Culture Gutter

It's been some time since I posted a "Track This," so I figured that discussing one of my favorite rockabilly songs by an underappreciated great, Gene Vincent, who does not get as much coverage as he should, would be an excellent return to form. Most of his career, he attempted to recapture his former rock and roll glory, and never completely turned country like his contemporaries Carl Perkins and Jerry Lee Lewis. Elsewhere on this blog, I discuss his self-titled Kama Sutra album, which should also receive more accolades. In a perfect world, Gene Vincent's "Race With The Devil" would have been a bigger hit, but it never managed to capture the public attention like his first hit, "Be-Bop-A-Lula." I first heard The Stray Cats cover "Race With The Devil" on their underrated fourth studio album, 1986's Rock Therapy , and needed to track the original down as soon as I could. The countrified rhythms and frantic pace of the song leave the li...

Since I moved to Arkansas a few years ago, I have realized how much the pollen affects me and how ubiquitous it can be. I have always gotten sick every year when the trees start blooming, but in Arkansas, it is so much worse. The pine trees and many other plants start blooming, and I find myself a sick mess. My ears are plugged, my head is stuffy, and my body aches. When I first encountered these symptoms a couple of years ago, I thought I had the flu, but friends informed me that it was just the pollen. The trees are beautiful, with their needles appearing ever greener through the haze, but yellow pollen covers the roads, vehicles, and pretty much anywhere else it can land. A blanket of yellow clogs the air, and it is even visible in the water that pools in drains and puddles along the muddy ground. When I return to Wisconsin, other blooming polliniferous plants will hit me again, so my head will remain a mess.  Of course, this haze cuts down my productivity, and I struggle to cat...

Some of my fondest memories from high school include tuning into 120 Minutes every Sunday night on MTV. I discovered many bands, and in the process, developed my musical identity. I still have about fifty tapes of videos and interviews from the show, mostly from the 1990s. Watching them now is like a time capsule of how my musical taste changed. I wore those tapes out by watching my favorite episodes and videos over and over. One of my favorite episodes featured Matt Pinfield interviewing Rancid, mostly because the videos they picked and bands they recommended were so varied, including oi tastemakers like the Business, shoutouts to the Swingin' Utters, and discussions of Operation Ivy and reggae as rebel music. My taped copy of this show is unwatchable because it goes back and forth between speeds, so I am glad Eyesore Video Channel posted it on YouTube. Another favorite episode was when Henry Rollins and Jerry Lee Lewis co-hosted the show. This odd juxtaposition was even st...

What is classic rock anyway? Sometimes genre specification make me wonder, especially when I listen to music from numerous genres as I work. However, I often believe the genre, rock music, is not so much a genre as a catchall category for most types of guitar-based music made after 1965. Just like alternative rock, such subgenre categories as hard rock, have become close to meaningless. Those who have suffered through my endless diatribes about certain periods of music know that I reserve specific definitions for other genres: rock 'n' roll to me is a very specific type of music drawing from Sun Records luminaries like Elvis Presley, Carl Perkins, and Jerry Lee Lewis. Indeed, bands who play rock 'n' roll today follow this template. Yet it is more about rocking out on bass, guitar, and drums than exploring guitar solos. Rock 'n' roll is also an attitude like punk that gets the job done fast and dirty with little indulgence. In the last couple days my musical ex...

15. Panopticon - Roads to the North (Bindrune) Panopticon is the project of Kentucky native Austin  Lunn and combines elements of traditional folk music with Metal, yet never seems like a Black Metal retread as it relies heavily on American musical folk styles. Panopticon's songs are an atmospheric reinvention of where folk and metal might intersect. Some, such as "The Echoes of Disharmonium" are thrashy, guttural metal numbers, while "The Long Road Part 1: One Last Fire is a distortion free traditional bluegrass fiddling interlude that merges with "The Long Road Part 2: Capricious Miles," a seven plus minute melodically epic track more easily than one would suspect. Panopticon makes these transitions look simple, merging heavy music and several American folk forms, including traditional Native American flutes and even banjos with startling clarity. Roads to the North builds on their earlier records and reflects the growth of this interesting amalgamati...

Wikipedia defines blue-eyed soul as "rhythm and blues and soul music performed by white artists . . . and first used in the mid-1960s to describe white artists who performed (such music) that was similar to the music of the Motown and Stax record labels." The term has been increasingly used to describe many white artists who take a soulful approach to music or sing certain kinds of torch songs. I was surprised to not find an entry concerning the form in The Rock Snob's Dictionary but the style doesn't seem to hold the cache of such genres as Americana or 70's AM folk. Even so, the entry for Dan Penn and Spooner Oldham shares some anti-hipster disdain for the "Memphis-based song writing duo invariably praised for being 'real soulful for white boys'" with tongue firmly entrenched in cheek. While the style does have its share of detractors, there is no mistaking that such songwriters as Penn and Oldham wrote some of the best soul songs of the 60...