Snobbin: Beautiful Trash in the Pop Culture Gutter

Sometimes when you work too much, you achieve a level of clarity that allows you to step back and take stock of your life and the choices you have made. Other times you just feel exhausted and want to take naps and sleep in every day. Of course, you force yourself to get out of bed and go to work because that is the adult thing to do and you have responsibilities. If you are anything like me, your sense of self-worth that is intricately connected to conscientiousness bordering on insanity. Your Obsessive-Compulsive Disorder (OCD) leads to the strangest behaviors like getting to work early and taking on extra work to maintain a sensible sense of identity.  During these odd days of COVID, I find myself doing less work than usual or struggling to maintain my usual level of obsessive-compulsive writing and grading. I have new habits of grading a few papers a day instead of my standard marathon sessions; however, if I do decide to embark on a marathon grading regimen, I have graded for ...

Combat Rock , released on May 14, 1982, was the record that monetarily put the Clash on the top of the punk heap. Even so, it has never been seen as a particularly good album, especially compared to their first self-titled album (both British and American versions) and London Calling . Even Give 'Em Enough Rope has more proponents. After the Clash released the double album London Calling, they released Sandinista to little fanfare. The triple LP felt bloated. Its predecessor had included experimentation and attempts to expand the band's repertoire, mostly as homage to the American roots forms that the band had consciously (or not) avoided on their first two albums. Sandinista was another beast entirely -- the band took an everything but the kitchen sink approach, experimenting with dub, hip hop, children choirs, and even took a hit on royalties so they could release it in this fashion. Combat Rock continued some of this experimentation, also flirting with world music and ...