Snobbin: Beautiful Trash in the Pop Culture Gutter

Tony Silver's Style Wars (1983) focuses a tighter lens on graffiti, breakdancing, and subway art than Wild Style. The interviews add realism lacking in that earlier film and provide a more comprehensive focus than its scripted story. However, that film feels more organic because of its less glossy cinematography and the community involvement in its production.  Style Wars includes interviews with graffiti artists and break dancers who champion their art's creative expression and those like Mayor Ed Koch, the NYC Police Department, and disgruntled parents who view graffiti as the destruction of public property. These figures come across as hilariously out of touch, while the artists and their graffiti show the enthusiastic promise of a burgeoning art form.  The soundtrack consists of a representative assortment of classic hip-hop tracks, including Grandmaster Flash's "The Message" and The Treacherous Three's "Feel the Heartbeat," next to songs that j...

Sandinista! often gets short shrift in discussions of The Clash's output. Critics and fans discuss it in dismissive tones, often viewing it as a failed experiment that should have been released as a single LP, not a triple. To be fair, there are quite a few people that view it as an underrated masterpiece that shows how effective the band was at disparate musical styles and gives more credence to the growth of their songwriting. The conventional approach in the punk rock community these days is to entirely dismiss the Clash and treat them as a punchline, except for their first record, which will always remain the classic for punk fans because it includes straightforward angry, punk numbers. However, these are not often punk enough.  London Calling remains their acclaimed classic rock masterpiece, while Combat Rock is their breakthrough. Fortuitously, the only radio track off London Calling is continuously played on classic rock radio alongside Combat Rock's "Rock th...