Snobbin: Beautiful Trash in the Pop Culture Gutter

Crimpshrine and Fifteen songs often interpolate or play with the idea of reworking/reusing lines from earlier famous songs within the lyrical and musical framework of songs, Ott's and Jack Curran's melodies are deceptive because they bury them in layers of distortion. However, just as their lyrical ambition often tells complex stories through the framework of deceptively simple choruses, the lyrics hide Easter eggs within simple love and relationship songs. Crimpshrine's "Tomorrow" borrowed lyrics from "Tomorrow" from  Annie , but Ott has continued to include popular lyrics in interesting ways. Pop melodies were common in many of the bands that played with Fifteen at 924 Gilman Street in the 1990s, but Ott's hardscrabble songs stand out because of their wordplay and insistence on melodic invention.  Other bands that played with them reveled in wordplay and definitive walking East Bay basslines, but generally fitted into different frameworks. While th...

Now that summer is here in the wilds of Illinois, I have the time that I wanted in order to read, write, camp, hike, and ride my bike. Bike riding is all I have accomplished so far. Here is a nice mix of my top riding albums (the reasons aren't so obvious).  1). Eleven Hundred Springs --This Crazy Life 2). Scott H. Biram -- Graveyard Shift 3). All -- Greatest Hits 4). Birdcloud -- Birdcloud EP 5). All Eyes West -- All Eyes West 6). American Aquarium -- Burn, Flicker, Die 7). The Avengers -- Avengers EP 8). Baroness -- Blue Record 9). Bottle Rockets -- The Brooklyn Side 10). Chelsea Light Moving -- S/T 11), Crimpshrine -- Duct Tape Soup 12). The Dictators -- Blood Brothers 13). Fifth on the Floor -- Ashes & Angels 14). Jason Isbell & the 400 Unit -- Live in Alabama 15). The Leghounds -- Various Demos 16). Lifetime -- Jersey's Best Dancers 17). The Menzingers -- On the Impossible 18). Mudhoney -- Vanishing Point 19). Night Birds -- Fre...

Hot Water Music's Exister has been a long time coming. Their last proper record, The New What Nex t was released in 2004 to mixed reactions. Longtime fans were unimpressed with the polished productions and songs that verged on indie rock. They missed the charging stop-start anthems that peppered earlier records, most significantly all-time fan favorite, Fuel for the Hate Game. On Exister the band attempts what some might term a return to form, while incorporating the lessons they have learned since 2004. While not necessarily a comeback record, Exister should please longtime fans, while bringing a few new ones into the fold, especially if they catch the band's incendiary live show in 2012. Eight years is an eternity in our direct to internet world. Many bands that took inspiration from the band, formed, released several records, and quietly disbanded. During that time, the principle members of HWM tried their hand at other ventures, while playing occasional shows. Wh...