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Showing posts with the label Jawbreaker

Wallflowers Bloom In Basement Stairwells

I used to be a wallflower at the punk show.  Standing in back like those cool people in that Jawbreaker lyric or Peter Parker, replete in sweater vest a tour song well defined. I watched everyone else participate, slunk in the corner like a ragdoll  in required black hoodie, shock of auburn hair, drooped over crooked glasses. '90s indie fashion or a Weezer video extra, the early days of emo.  A backpack possibly slung over my shoulder, and a lack of beer in my hand, made me stand out, an awkward clown, never a joiner. Even though I loved the volume of the music, the warmth of the room, distinguished from the blustery, wintery outside, I found it hard to join.  These states never get warm. The band never breaks a string. Once I finally joined and met the people in the room, I became a figure in the scene, with my own nickname and relevance. Seldom a band member, I was the eternal commenter, the guy who could talk records, a legend in my hometown. Like that irredeemabl...

Track This: Jets To Brazil's "Further North"

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Jets to Brazil always makes me think of fall, changing seasons, and remembrance. I started listening to them at a pivotal moment when I was figuring out my identity and becoming an adult. I had long been a fan of Jawbreaker, and when Black Schwarzenbach started JTB, I went to one of their first national tours in 1998 for Orange Rhyming Dictionary in Milwaukee. They played with Fugazi, Compound Red, and the band I saw play most Milwaukee shows at that time, Promise Ring. It was an amazing show for the most part, and I met Blake before the show. For many Jawbreaker fans, Jets to Brazil took some getting used to, mainly because they toned down the former band's punk tendencies for more indie rock and pop influences. While 1995's  Dear You , Jawbreaker's final record, was moving in this direction, JTB added keyboards and sometimes resembled 1980s bands like The Psychedelic Furs or 1990s indie bands like Wilco more than the punk stylings of many of the Jawbreaker releases, Howev...

Bands You Should Hear: From Noise to Shoegaze and the Patterns in Between

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In the interest of reviewing seemingly left field (at least for this blog) records, I bring you some thoughts on several of my newest summer finds. The Ruiner. EP by Atlanta's Whores really surprised me. Given their name I was expecting another black metal or generic hardcore band, but the record recalls the best early moments of Helmet or Unsane complete with staccato rhythms, crunchy guitars, and the like, all blended into a sweet cacophony of sound. Christian Lembech's vocals even recall young Page Hamilton before he blew his voice out. The lyrics are introspective without being overly artsy. On "Daddy's Money,"the guitars lead a call and response with the vocals and the lyrics discuss typical social striations, but the band has enough melody and chops to make the track definitive. On "Fake Life," similar themes are explored under even more seductive riffs. "Shower Time" finds the band slowing down. The staccato guitar riffs are anchored by ...