Snobbin: Beautiful Trash in the Pop Culture Gutter

309. The Decline of Western Civilization III (1998), Penelope Spheeris, Spheeris Films 310. Throne of Blood (1957), Akira Kurosawa, Toho 311. The Postman Always Rings Twice (1946). Tay Garnett, MGM 312. The Hit (1984), Stephen Frears, Palace 313. The Slow Business of Going (2000), Athina Rachel Tsangari, Haos 314. Art School Confidential (2006), Terry Zwigoff, Sony Pictures Classics 315. Harlan County, USA (1976), Barbara Kopple, First Run Features 316. Interrabang (1969), Giuliano Biagetti, Salaria 317. On the Waterfront (1954), Elia Kazan, Columbia 318. The Leopard Man (1943), Jacques Tourneur, RKO

A culturally significant moment occurs in Stephen Frears's 2000 adaptation of Nick Hornby's 1995 novel, High Fidelity when oh-so earnest, and not yet famous, Jack Black transcends his character, Barry, to make an astute statement about Rob Gordon's (John Cusack) wardrobe. In a film filled with immensely quotable dialogue and tons of Black diatribes, his speed fire "That's the worst fucking sweater I've ever seen. It's a Cosby sweater. A Cosby Sweater. Does Laura let you leave the house like that?" stands out. The Cosby Sweater has become a cultural high-water mark that is remembered by most who lived through the '80s, as well as most who caught the epochal television show in reruns in the decades since. Little touches, like this reference to non-music cultural ephemera, such as the Cosby sweater, humanize characters who are often the epitome of the worst record consumers and snobbish music dilettantes. These are folks who mercilessly taunt ...