Snobbin: Beautiful Trash in the Pop Culture Gutter

Place matters in the grand scheme  as we plan the rest of our short lives in between careers, births, and death, tracing the lines of worry and doubt on faces that age like earthen masks,  cracking and morphing into new forms  that recall our parents and their familiar tragedies and strategies in months that begin with archaic, internalized letters, fomenting lethargy and resilience like the graying maples and elms, the wintry oaks, the desolate brown topped spruce,  as those seasons change and loss becomes static reality in this Upper Peninsula, this region of utmost cold, where the snow falls and blankets the silent masses, ergo, a laugh, a sound, an eruption of jubilant life in resistance to the colors that drain, clamorously calling out for meaning.  Ha! Relentless ones! You are stuck here! Lift up your choices and dig in!

"At night, the murmur of traffic sounds just like the wind rushing through the pines up in the Sierra. As white noise goes, it's not bad." -- Timothy Ereneta on living in Oakland Ca., Oatmeal 1, 1992. Place is an important element in shaping lives. The sound of a freight train traveling through night air, the awkward hesitancy of a taxi cab horn in the darkening twilight, a child crying in the corner of the room at recess. All of these instances can shape and define us. The glimmering hope from behind the wall of all too slippery time. Growing up in Northern Wisconsin gave me a particular perspective about place. Shaped by smoke stacks and pine trees, the hum of snowmobiles in the winter months riding past our orange house on 6th avenue, the buzz and creak of bullfrogs of burgeoning summer days, the quiet of the woods and the suggestive sound of cooing mourning doves. All of these altered my thoughts and ideas. I grew up disliking my hometown for all the wrong rea...