Snobbin: Beautiful Trash in the Pop Culture Gutter

Some of my fondest memories from high school include tuning into 120 Minutes every Sunday night on MTV. I discovered many bands, and in the process, developed my musical identity. I still have about fifty tapes of videos and interviews from the show, mostly from the 1990s. Watching them now is like a time capsule of how my musical taste changed. I wore those tapes out by watching my favorite episodes and videos over and over. One of my favorite episodes featured Matt Pinfield interviewing Rancid, mostly because the videos they picked and bands they recommended were so varied, including oi tastemakers like the Business, shoutouts to the Swingin' Utters, and discussions of Operation Ivy and reggae as rebel music. My taped copy of this show is unwatchable because it goes back and forth between speeds, so I am glad Eyesore Video Channel posted it on YouTube. Another favorite episode was when Henry Rollins and Jerry Lee Lewis co-hosted the show. This odd juxtaposition was even st...

20. The Night Marchers - Allez Allez (Swami) John Reis always has his hand in so many projects that sometimes it's hard to keep up. The release of the second Night Marchers' album, Allez Allez keeps up his tradition of putting out high voltage rock 'n' roll at a time when it is almost extinct from the shelves. Not as vibrant as See You In Magic , but just as raging, the tight guitars and manic drums deliver Reis's amped-up message to the masses. While it might not be as raging, chaotic, or fun as another Rocket From The Crypt release, it is good to know that Reis is still making music. Long may he "wear the horns." 19. Dawes - Stories Don't End (HUB)  "Stories Don't End" is another minor triumph from Los Angeles's Dawes. The songs drift in like an amalgamation of 70's Laurel Canyon song-writing mixed with all too modern Suburban housewife ennui. Each seems so knowable and so perfectly formed that they seem to have been...

1. Sebadoh - Secret Sebadoh never rests on their laurels. The kings of indie rock have created another album of astonishing depth in just the span of five songs. "Keep the Boy Alive" is a Lou Barlow paen to growing old and retaining one's love. "My Drugs" is a Loewenstein rocker about needing drugs: the line "can't hang with sober people they scare the shit right out of me" says it all. "Arbitrary High" recalls "Skull," sounding like a Bakesale outtake. "I Don't Mind" is a country weeper that might have found a nice place on the new Dinosaur Jr. record, yet easily trumps anything on that underwhelming platter. Loewenstein remains the hidden secret in Sebadoh, writing understated songs that often overshadow Barlow's more obvious offerings. Barlow's "All Kinds" is a short, sweet coda to a great, but all to short EP. I'm looking forward to a new full-length.  http://sebadoh.bandcamp.com/album/s...

I never got to see Sebadoh back in the vaunted "Alternative" 1990's.  After I saw them on 120 minutes for the first time, I was extremely impressed with their live performance of "Rebound." Once I had Bakesale and The Sebadoh in hand, I quickly consumed the rest of their catalog, buying up anything related to Lou Barlow that I could find. Sebadoh records were always good -- Barlow's confessional songs slotted in smoothly next to Jason Lowenstein's rock and roll/hardcore rave-ups -- Barlow's solo records were spotty and, ultimately, less satisfying. Gems popped up on each Sentridoh album, but Barlow seemed more interested in putting all of his songs out, warts and all, than crafting a cohesive record. As he himself admits, many of the songs were the work of a pothead, who thought his lyrics were deep. Offset by the dross, the great songs shine, yet it wasn't until Barlow released his "first" (this can be debated) solo record, Emoh t...