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Showing posts with the label 1983

Thirty Horror Films in October. Film Twenty Three. The Hunger (1983)

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A stylish, erotic vampire thriller that makes up for its lack of plot with good music and interesting performances by Susan Sarandon and David Bowie. Bauhaus's performance was a welcome addition. 

Criterion's Fiftieth Anniversary of Hip Hop Collection: Style Wars Review

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Tony Silver's Style Wars (1983) focuses a tighter lens on graffiti, breakdancing, and subway art than Wild Style. The interviews add realism lacking in that earlier film and provide a more comprehensive focus than its scripted story. However, that film feels more organic because of its less glossy cinematography and the community involvement in its production.  Style Wars includes interviews with graffiti artists and break dancers who champion their art's creative expression and those like Mayor Ed Koch, the NYC Police Department, and disgruntled parents who view graffiti as the destruction of public property. These figures come across as hilariously out of touch, while the artists and their graffiti show the enthusiastic promise of a burgeoning art form.  The soundtrack consists of a representative assortment of classic hip-hop tracks, including Grandmaster Flash's "The Message" and The Treacherous Three's "Feel the Heartbeat," next to songs that j...

Realities: Jean Shepherd and Randy's Only Defense

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“The reality of what we really are is often times found in the small snips, way down at the bottom of things.” - Jean Shepherd I watched Bob Clark's  Christmas Story (1983)   for the first time on TBS, years before TNT started broadcasting the film twenty-four hours a day in 1997. I soon became an obsessive fan of the film, watching it over and over again every Christmas. Now I probably watch it once a year, but its lessons and humor have affected my life significantly, and I quote the film more than I should. I started reading Jean Shepherd's short stories and listening to his old WOR radio show. Many of these have been archived on the internet spanning a period from the early 50s to the late 70s.  According to lore, Shep usually told his stories without a script, ad-libbing about certain characters and scenarios, and commentating on culture and society.  I particularly identify with his stories of the Midwest because I grew up there fifty years later, b...