Posts

Showing posts with the label tatami shots

Yasujirō Ozu Films Three and Four: A Story of Floating Weeds (1934) and Floating Weeds (1959)

Image
Yasujuru Ozu's A Story of Floating Weeds (1934) and its remake Floating Weeds (1959) are masterworks in drama. Each tells the story of a traveling kabuki theatre troupe visiting cities on the Seto Inland Sea. The films' primary conflict revolves around the owner's excursions to visit his former mistress and their grownup son, who believes that the actor is his uncle. The lead actress becomes jealous when she finds out. She pays a younger actress to seduce the son, an act that complicates everything. Meanwhile the troupe's fortunes take a downturn as audiences are more interested in newer styles.  Both films include an amazing scene where the kabuki master and his mistress shout across a rainy street while walking back and forth, which reinforces their alienation and disconnection. Like many of Ozu's pillow and low-angle shots, he deftly builds characterization and setting through placement. Perhaps, the character studies and relationships in each are at their must s...

Yasujiro Ozu Explorations

Image
I am going to start a new series on Yasujiro Ozu's films in the upcoming weeks where I rank and write capsule reviews for fifteen of his films. I have started watching a representative portion of his filmography, ranging from the silent comedies to his later works that deal with family, marriage, and society in the post war years, including the Noriko trilogy ( Late Spring , Early Summer , and Tokyo Story ) and all the movies he made with the incomparable Setsuko Hara. So far this project has been fun, and I cannot wait to share the results. Prepare for a discussion surrounding culture, dialogue, and the ever-present tatami shots.