Snobbin: Beautiful Trash in the Pop Culture Gutter

I wasn't originally entirely taken with Scott H. Biram. He wrote quite exceptional country and blues songs that were filtered through a lo-fi vibe that recalled later era Hank the third and Joe Buck. I didn't see the passion and originality at first. Biram is revivalist, but brings real soul and dedication to his bluesy rave-ups. I first heard the song, "Go Down Ol" Hannah" from his 2009 record, Something's Wrong/Lost Forever on shuffle mode. It sounded like a vintage 1930's blues song. I actually asked myself whether it was John Lee Hooker or Lightnin' Hopkins. When I looked and saw that it was Biram I was amazed. Like he was channeling an old blues singer, he gives his all and makes the song sound like an original even though it has really good production for a Biram album as most of them are fairly lo-fi. By the next song, he is as dirty as ever. As a one man band, he not only can bring different styles at a drop of a hat, but is clearly ca...

  From the first notes of "The Corner" on his new record, Mutt, one is drawn into a contagious world of revery, booze, and fun, filtered through Cory Branan's personal vision that makes even his saddest songs joyful. Branan has been road testing many of these songs for years. His last album, 12 Songs , came out in 2006 and a split with Jon Snodgrass appeared in 2009, but most of these songs have been in his live set for years, and they are readily available on various bootlegs, including an excellent showing with Ben Nichols of Lucero. These are the songs that make Mutt essential for any music collection in 2012, yet it will be interesting to see how he transforms his new songs in a live setting. On first listen, Mutt doesn't seem as exuberant as Branan's live show. He seems a tad subdued and his odd sense of humor that bubbles up during song breaks is all but missing. The songs are tighter here and his sense of humor comes through loud and clear in the lyri...