Posts

Showing posts with the label Folk

Tiptoeing Through the Fallout with The Goldwaters

Image
My fascination with songs from the Cold War Era continues. Today I've been tiptoeing through the bomb shelters with Bert the Turtle, Marty Robbins, the Goldwaters, and others thanks to Bear Family's awesome collection, Atomic Platters: Cold War Music from the Golden Age of Homeland Security . I really wish I would have bought "The Goldwaters Sing Folk Songs To Bug The Liberals" when I found it in the cutout bin years ago.  Their efforts to help Barry Goldwater fell on deaf ears when they released this record in 1964. Fred Quan, the banjo player, summed up their strategy: “For the next few months we’re looking for voters… Republicans, Democrats, independents—even Beatles.” Rumor has it that when Bob Dole was running for office in 1996 they were offered another support role as The Doles. One could hope that they would have left the laugh track off during this comeback. Watch and listen for fallou...

Track This: Hayden's "We Don't Mind"

Image
It's fall again, so that means that the music around here slows down and gets decidedly folky, if not more rootsy. That's not to say there isn't plenty of metal and rock and roll on the playlist, but some of the slower songs get priority. Hayden's Everything I Long For is one of those singer-songwriter records that pulses anew on each listen. His simple guitar playing and everyman gruff vocals lend a veracity to his simple tales of love, loss, and boredom. While he has grown as a songwriter since its 1995 release date, the simple power of his unadorned vocals and aching lyrical approach make Everything one of his greatest artistic statements. His song craft has improved, but he has never bettered the album's timeless exploration of pain. Many people remember the single "Bad As They Seem," which put the Canadian singer on the map, an exploration of the narrator's hopeless unrequited love for the women he can't ever date -- a sixteen year old gir...

Track This: Simone Felice's "Our Lady of the Gun"

Image
Simone Felice  has traveled a far different path on his solo records than his work in the Felice Brothers. While they added extra, electronic instrumentation after he left the band on Celebration, Florida, Simone has explored the vagaries and sound of 1970's folk singer-songwriter pop, channeling the likes of James Taylor and Randy Newman, yet writing striking and relevant modern songs. Both of his solo efforts are low key, literate affairs miles away from the rocking Americana of the Felice Brothers, but as memorable as their early efforts. Felice has an ear for quiet melodies and poetic phrases -- worn vocal exercises mingle with catchy harmony vocals. "Our Lady of the Gun" from 2014's revelatory Strangers catches him at full strength, sounding like the understated, yet equally tragic, sister song to The Felice Brother's "Frankie's Gun!" The song is stark and melancholic, yet clear and well-defined. Felice sings, "there's a stranger...

Track This: Eef Barzelay's Love/Fear of the Unknown: "Could Be Worse" and "I Love the Unknown"

Image
I've been a Clem Snide fan for a long time, enamored with Eef Barzelay's easy, literate lyrics and the band's indie country shuffle. They have released a number of solid albums over the years, and have now turned to putting them out digitally, recently releasing several fan chosen collections of covers. For my money the best albums are Soft Spot and End of Love , although I know that The Ghost of Fashion and Your Favorite Music are strong contenders. Eef's solo records present other sides of his songwriting that have been making their way into the later band output. The first is contemplative, while the second rocks like nothing else he has done. For this edition of Track This, I wanted to review a track from his solo albums but had trouble picking one, so I chose two. The musically upbeat, yet lyrically down, "Could Be Worse" from Lose Big and the Rocket Science soundtrack cut, "I Love the Unknown." Both recognize Barzelay's ability to...

Folk Alleys: Richmond is a Hard Road to Travel

I've been exploring the back alleys of American folk music all morning. There is a subtlety and  true flair for melody in many of these songs. I haven't been able to get "Richmond is a Hard Road" out of my head. The song was originally a Union Army song that had been adapted from "Jordan is a Hard Road to Travel," a song which was written by Dan Emmett, who also composed "Dixie." The roads these songs lead listners to, the familiar melodies, the catchiness of the tunes all give them a timeless quality. Greil Marcus wrote, "America is a place and a story, made up of exuberance and suspicion, crime and liberation, lynch mobs and escapes, its greatest testaments are made of portents and warnings." These qualities are the backbone of the American songbook. There is hardship and joy, faith and doubt, uncertainty, and great hope wrapped up in these songs. None of these qualities are true binaries -- just gradations of sentiment and feeling. A...

Track This: Whitehorse's "Wisconsin"

Image
Folk has increasingly been the rule here at Snobbin' headquarters. When it gets really cold out, there are two consistent directions for the music hereabouts -- acoustic or metal. As it gets colder, (Temperatures are dropping into the negatives lately) the folk albums drop increasingly onto the turntable. While other Canadian folk bands have been covered on the blog, Whitehorse, whose tuneful melodic folk tunes have helped them make the Polaris Short List, has never been mentioned. Their album The Fate of the World Depends on this Kiss is a stunner; beautiful melodies, harmony vocals, and terse production help them stand above the rest in the increasingly crowded Americana field. Whitehorse consists of Luke Doucet and Melissa McClelland, who both had successful solo careers before teaming up. They have released two records, including The Fate of the World, and an earlier equally relevant Self-Titled Effort. Comparisons to the Handsome Family can be easily made, yet this husban...

Track This: Austin Lucas' "Splinters"

Image
Austin Lucas' "Splinters" is one of those songs that sends chills up my spine. Lucas' knowing vocals and his well-chosen lyrics anchor a song of uncompromising beauty and pain. The picking alone at the beginning is enough to nominate it for one of my favorite songs of last year. If I would have paid more attention to the record, it would have certainly made my top ten. I first encountered Lucas on the record that he did with Chuck Ragan, Bristle Ridge, a few years back. I lost track of him until romeosidvicious posted a review of his new record, Stay Reckless on one of my favorite blogs, Nine Bullets, which seems to be all too infrequently updated these days; it's a shame because they always turn me on to great records. Lucas comes on like a bluegrass southern-fried version of Damien Jurado, crafting personal character studies in his songs. "Splinters" speaks to faith, romantic relationships, and the self-doubt that comes with living in this world....