Snobbin: Beautiful Trash in the Pop Culture Gutter

While I often thought GLB's final record didn't reach the heights of their earlier albums, I now realize that the polished songwriting, production, and lyrical honesty emphasize a maturity and growth. My downer '90s self also did not relate to the jubilant sound and lyrics. However, I still wish Paul Kimble was on bass.

Jeff Tweedy's newest book contains short and sometimes pithy discussions of songs that influenced his life and music. He intersperses them with memories and events that augment his thinking. Generally fun, often astute, occasionally maddening, but always entertaining, the book often goes in unexpected directions. Tweedy finds new life within the grooves and the stories that surround his musical discoveries. The most eye-opening moments  to me happen when Tweedy finds something in each song that might relate to any of us. However, I also loved his discussions of early SST punk and lesser-known songs, and he often changed my mind or gave me new perspectives to ponder. He might also influence your approach to some popular tunes that he covers. 

Kathleen Edwards's new album Total Freedom (Dualtone) is her first album in eight years, but she has not missed a beat. Her songwriting is still warm, evocative, and thoughtful. Wry observations about relationships, character studies, and songs about death and aging set a familiar tone for an album that is realistic yet positive despite the darker subject matter. Not as complex as Voyageur , my favorite record of 2012, it is still a strong contender for my best record list of 2020.  The first single "Options Open" is one of her best both lyrically and musically and capturing doubts similar to those that led her to stop making music and open up her coffee shop, Quitters. The song is both optimistic and realistic and could be as much about career changes as relationships. She sings, "There were some things behind me / An open door I did not close when I was lonely / But I swore I wouldn't go near you with a ten-foot pole / It's not my fault that I wasn't...

Cardinology takes a little time to appreciate. At first listen, it seems all too familiar, yet unsatisfying. Not dissimilar from Easy Tiger , the songs are pure pop songs yet they are more complex than those found on Easy Tiger incorporating more of Adam's love for the Grateful Dead with more dead-influenced guitar work. The power of Easy Tiger lay in its familiarity coupled with Adam's seemingly newfound direction and lauded consistency, yet after ten or so songs each song began to blend together leaving the listener appreciating the album, but remembering little of it. A few songs stood out, particularly the personal call-to-arms song, “Halloweenhead,” but overall the surprise element, the where will he go next element so integral to Adams varied songwriting, was missing. Cardinology may not be as consistent an album (there are a few misses, particularly the arena rock U2-aping song, “Magick”), but it does an amazing job showcasing Adam's songwriting, and more imp...

The final three songs focus on the plane ride and subsequent crash of both bands: the fictional one and Lynyrd Skynyrd. Cooley's “Shut Up and Get on the Plane” is a premonition of what is to come, as well as an excoriation of those that fear life and do not want to live it to its fullest. He sings, “We've been this close to death before; we were just too drunk to know it / Guess the price of being sobers being scared out of your mind.” Cooley dares listeners to get on the plane because death is inevitable and there is no use in complaining. The adventure the band is on trumps all. Even though the narrator would like to go home and lay around, he is a working man and needs to keep on moving. This theme continues through Cooley's songs; they revolve around men of action who move through less specific worlds. They carry on because they have to, despite the odds, not concerned with the specifics of history, but moving through a more generalized world. He writes songs for...

The idea for the album formed in a conversation between Hood and former bassist, Earl Hicks, in which they discussed writing a semi-autobiographical screenplay about their youth in the south and the plane crash that almost ended Skynyrd by taking the lives of vocalist Ronnie Van Zant, guitarist Steve Gaines, and backup vocalist Cassie Gaines in 1977.   Their chartered plane, a 1977 Convair CV-300, converted from a CV-240 ran out of fuel and crashed in Gillsburg, Mississippi near the end of a flight from Greenville, South Carolina, where they had performed at the Greenville Memorial Auditorium, to Baton Rouge, Louisiana. Assistant road manager Dean Kilpatrick, pilot Walter McCreary and co-pilot William Gray were also killed in the crash, while 20 other people survived, including guitarists Allen Collins and Gary Rossington. Bassist Leon Wilkeson, keyboardist Billy Powell, and drummer Artimus Pyle, who crawled out of the wreckage with members of the road crew, were also injure...