Snobbin: Beautiful Trash in the Pop Culture Gutter

The other day when I was writing the "Track This" for Jawbox's "Cooling Card," something jogged my memory about music magazines I had read in my formative years, particularly those published while I was still in High School. Many, if not most, of them are gone now. They gave way to blogs and online publications. These include zines like Flipside , which covered mainstream and underground bands -- they also had some of my favorite columnists of all time, Punk Planet , which ventured further into Indie rock as it progressed, and MRR , which is still going strong. The magazines that I read often included Alternative Press and Magnet , as well as Ray Gun Publishing's huH which turned me on to a ton of great music because it included a cd with each issue that served as a sampler for what had been released that month, divided by genre. While other magazines did this, huH undoubtedly was more inclusive in the types of bands these cds covered. In fact, these col...

In issues of the old "Lookout Records! catalog," Larry Livermore, or some earnest shitworker, referred to Pot Valiant's eponymous EP as "what your cough syrup daydreams sound like." With an awful cold, while fighting through my own cough syrup haze, I listened to the new Green Day album for the umpteenth time, wondering just how far the boys from Rodeo had come from their early days on the aforementioned (and sadly gone) pop punk label. Green Day's new record, Uno! , is much better than expected. Gone is much of the rock star posturing and  topical songwriting that plagued or strengthened their last two rock operas: 2004's American Idiot and 2009's 21st Century Breakdown . Nor is there an overarching conceptual theme, except perhaps an attempt to write fun songs in the tradition of their Lookout! records. Yet, if you are looking for the ubiquitous return to form record, you may need to imbibe in similar large amounts of cough syrup. Perhaps a r...