Snobbin: Beautiful Trash in the Pop Culture Gutter

While digging through my record collection, I found this gem, "Men Without Shame" b/w "Time is on Our Hands" -- a rock and roll record featuring Jim Phantom and Lee Rocker of the Stray Cats. Dig those threads. This 45 is the first single from their self-titled first album recorded on hiatus from their more famous band. With the addition of co-founding guitarist, Earl Slick, the band created hard rocking music that exchanged the rockabilly of their former project for an 80s rock approach that includes everything from ballads to mainstream rockers. While Brian Setzer was refashioning himself as a heartland rock-inspired solo artist, Phantom and Slick opted for rocking out. "Men Without Shame" is a 6 1/2 minute song that never outwears its welcome with Slick's impressive guitar chops front and center. The solo alone separates the song from the group's former projects. Slick's session work holds him in good stead as drummer Phantom and ba...

What is classic rock anyway? Sometimes genre specification make me wonder, especially when I listen to music from numerous genres as I work. However, I often believe the genre, rock music, is not so much a genre as a catchall category for most types of guitar-based music made after 1965. Just like alternative rock, such subgenre categories as hard rock, have become close to meaningless. Those who have suffered through my endless diatribes about certain periods of music know that I reserve specific definitions for other genres: rock 'n' roll to me is a very specific type of music drawing from Sun Records luminaries like Elvis Presley, Carl Perkins, and Jerry Lee Lewis. Indeed, bands who play rock 'n' roll today follow this template. Yet it is more about rocking out on bass, guitar, and drums than exploring guitar solos. Rock 'n' roll is also an attitude like punk that gets the job done fast and dirty with little indulgence. In the last couple days my musical ex...

Although I've listened to The Real Kids self-titled record many times since I discovered them, it always seems refreshingly new to me. From the first notes of their arguably greatest song, "All Kindsa Girls," the Real Kids prove that they were doing something different than their peers. Just like punk bands, they were attempting to simplify rock music, trying to move away from the excesses of the '70s, and look forward to a more visceral, less cerebral, take on guitar music that owed as much to the early days of rock as anything the Ramones or the Sex Pistols were doing at the time. The focus is on fun and excitement. The Real Kids is pure fun; rocking guitars, harmony vocals, songs about girls, the sound of a bar band on perpetual overload, all mixed together into a satisfying, lurching, sloppy rock 'n' roll ride. The later Flamin' Groovies cover similar territory, but are never as fun as the Kids' take on all things rock. John Felice's son...

From the very first notes of the Johnny Burnette and the Rock and Roll Trio's scorcher "You're Undecided," all bets are off. The trio makes rockabilly of the highest order -- raw, primitive, and serious. Burnette's deep voice aches with sincerity as the trio lays down a rudimentary groove. The guitar lines are juxtaposed with yelps that would fit nicely on a Hasil Adkins record or an early raspy Link Wray track. All their sides from this era are not just essential, they are mandatory. A far cry from Burnette's later pop singles, the energy that permeates each track by the trio is long due for reconsideration. Elvis Presley knew these boys and even played with them in the early days, but he never recorded anything so pure. Johnny, his brother Dorsey, and Paul Burlison made music thatwas, perhaps, too raw for Sun records, but each single got to the heart of the matter, and sound fresh even today. They made young, shocking, rock 'n' roll of pure, unad...

Many of Gene Vincent's early rock and roll peers turned to country in the 1970's. Jerry Lee Lewis had number one country hits as he mined the deep vein of country singer-songwriters, and rerecorded old hits in different styles. Johnny and Dorsey Burnette, who recorded some of the wildest rockabilly sides for Coral in the fifties as The Johnny Burnette Trio, became pop singers. Others like Eddie Cochran and Buddy Holly, who each had already recorded pop and country songs before they died tragic deaths, would have probably also gone in a much more country direction. Gene Vincent's Self-Titled record, which was later reissued as If Only You Could See Me Today, has a slight country sensibility, but manages to effectively capture the zeitgeist of the time period, while showing Vincent in a much more adventurous light. Recorded in 1970, shortly before Vincent's 1971 death, at the Sound Factory in Hollywood with members of the Sir Douglas Quintet, the record is surprisin...

1. Sebadoh - Secret Sebadoh never rests on their laurels. The kings of indie rock have created another album of astonishing depth in just the span of five songs. "Keep the Boy Alive" is a Lou Barlow paen to growing old and retaining one's love. "My Drugs" is a Loewenstein rocker about needing drugs: the line "can't hang with sober people they scare the shit right out of me" says it all. "Arbitrary High" recalls "Skull," sounding like a Bakesale outtake. "I Don't Mind" is a country weeper that might have found a nice place on the new Dinosaur Jr. record, yet easily trumps anything on that underwhelming platter. Loewenstein remains the hidden secret in Sebadoh, writing understated songs that often overshadow Barlow's more obvious offerings. Barlow's "All Kinds" is a short, sweet coda to a great, but all to short EP. I'm looking forward to a new full-length.  http://sebadoh.bandcamp.com/album/s...