Snobbin: Beautiful Trash in the Pop Culture Gutter

The second movie in Ozu's Noriko Trilogy, a series of films that stars the fabulous Setsuko Hara as a character named Noriko, although none of the films have the same characters. Thematically, many of Ozu's later films feel connected due to their emphasis on women's roles in post-war Japan and their similar English titles. They often deal with relatives who want to help marry off their single family members. In this one, the character Noriko is living in her family's home when her uncle (Kokuten Kodu) suggests that since she is 28, she should get married. Ozu always handles this common theme with subtlety and understanding of family dynamics.  Complications arise fairly quickly, and the family's plans go awry. They want Noriko to marry her boss's forty-year-old businessman friend, Mr. Manabe, but she has different plans. The mother of her widowed childhood friend Kenkichi Yabe (Hiroshi Nihon'yanagi) asks Noriko to marry her son. When she says yes, it aliena...

Place matters in the grand scheme  as we plan the rest of our short lives in between careers, births, and death, tracing the lines of worry and doubt on faces that age like earthen masks,  cracking and morphing into new forms  that recall our parents and their familiar tragedies and strategies in months that begin with archaic, internalized letters, fomenting lethargy and resilience like the graying maples and elms, the wintry oaks, the desolate brown topped spruce,  as those seasons change and loss becomes static reality in this Upper Peninsula, this region of utmost cold, where the snow falls and blankets the silent masses, ergo, a laugh, a sound, an eruption of jubilant life in resistance to the colors that drain, clamorously calling out for meaning.  Ha! Relentless ones! You are stuck here! Lift up your choices and dig in!

"One’s destination is never a place, but rather a new way of looking at things." --Henry Miller. Big Sur and the Oranges of Hieronymus Bosch (1957). "I'll never know, and neither will you, of the life you don't choose. We'll only know that whatever that sister life was, it was important and beautiful and not ours. It was the ghost ship that didn't carry us. There's nothing to do but salute it from the shore." -- Cheryl Strayed. Tiny Beautiful Things: Advice on Life and Love from Dear Sugar (2012). We just moved to Arkansas so I could start my new teaching job, loading our belongings into a car and a 26-foot truck, trying against all odds to get rid of junk to make the move easier. While I did get rid of books and other nonessential items, the truck was packed (to the gills as the expression goes). I know, first world problems, right? There was barely room for anything else, and when we arrived in Arkansas there were a few damaged items. I...