Snobbin: Beautiful Trash in the Pop Culture Gutter

There is nothing quite like digging in old closets, through shirts and sweaters like past shrift. A confession of sorts is in the hem and stitch of each garment. Myriad stains on white shirts mingle with frayed collars and dust bunnies. The shelves look forlorn in half-light. Those old clothes look alone even in abundance, each telling a different story about the minuscule and the larger. Moments are defined by those old shirts. So are basic daily decisions. Some are transitory and momentary. They are gone in months. They may fit wrong or remind us of a lost love. Perhaps they fall apart in multiple washes or bleach out in the sun. Some hang much longer, years even, before they are folded and put in drawers or donated to become part of other lives. They mean something more to us. Something as simple as comfort, as undefined as fashion, as amiable as a cool slogan or pattern. These things matter to us as we scan the tired folds. A new shirt is too clean, too loose, too inanimate. Not ...

Right after school Cecil grabbed his shotgun from his father's rifle cabinet and headed out the door. He took his old BMX out of the garage and slung the gun over his back. He pedaled the bike as fast as he could. Small for his class, he was still waiting for a growth spurt. His grandmother had told him that sometimes it happens later in life. But he wasn't waiting until eighteen or twenty-one. He had outgrown his shit hole town already. He spent most of his time out on state land shooting squirrels or just walking. There was nothing at home that equaled the thrill of just being out in the woods, nothing that equaled the thrill of being among the pines and oaks. He was master of all he surveyed out here. No one came to bother him.             He pedaled his bike down Wilson Road past house after house all of them empty because no one was home from work or school yet. Out here the paint was chipped and the yards were filled wi...

We are Lost There is a feeling in the air, barely recognized. A feeling of bittersweet retribution floating from the ground -- from the air It is tragic, barely remembered, nothing less than a connection, nothing less than an undiscovered moment, relapsing into a popular epiphany. I see the embittered moments of our youth. I see the sacrificial lambs of our generation bouncing prosaically in halls of quiet remembrance. Why are we so lost in this transgression? Why are we the ones who can't remember? Our generation is massed together like clay Earthen in construction, lost in the moment. A ghostly transition clumps together, a sullen moment; when we were kids, you and I were scared. We felt the pressure of happenstance, a ghost, a death, a measured moment of time; I still feel that way -- I feel like something is wrong -- we need to move. The air is tragic -- let's find a solution to our problem, to our fear, to the feeling of danger . . . A telephone call...

Grant Lee Phillips' Walking in the Green Corn is a contemplative affair, much like 2009's understated Little Moon . Unassuming yet self-aware, Phillips' songs pack a quiet power.  Always a first-rate vocalist and lyricist, he digs deeper here paying homage to his Native American heritage in ways he hasn't since Virginia Creeper. Phillips blends his subtle lyrics with quiet guitars and tons of intimacy. He expertly sets the stage for his story songs, taking his time in order to get the details just right. On "Vanishing Song" his lyrics are sparse, yet they tell an expansive tale of times long gone. "Great Horned Owl" is more upbeat, recalling Grant Lee Buffalo more than Phillips' solo work but still creating a vibe of late nights and long ago moments. Walking in the Green Corn perfectly captures the intimacy one feels with old friends as new discoveries become more important because they are made together. Phillips' narrative world is f...

He finally found a place downtown near the club he was playing. A underused city parking lot that required no fee. He parked the beast and made note of where. He needed to make his getaway as effectively as possible. He was sick of playing these gigs. He usually opened for some upcoming metal band, whose fans hated his music. They tacked him on the bill because they loved it. He dealt with hours of inane hipster talk with little recourse – he played the blues, at least an archaic crossroads form of it. They loved it, but there crowd always wanted Metallica. He had no problem with the music. He just wanted to some day open for musicians more his stripe. Hell, he figured he deserved it. He had done penance long enough. He pulled his short, but solid frame from the car. His weather worn skin and brutalized stetson spoke of his days as an old dog. Long in tooth, but still strong in talent. His bones ached a little more each day, but he had his pride. He played blues originals and nothi...

I'm listening to Chris Bell and feeling really underwhelmed by graduate school today. So I figured now was as good of a time as any to flex my fiction writing muscles and post another installment of my sojourn into fiction writing -- " "The Jukebox Played An Old Sad Song." I feel that some of this story might seem a tad cliched, or intentionally pulpy, but I am going with it. Writing is an unrewarding task sometimes, but most of the time I can't imagine doing anything else.  One of these times I will put up revisions. ----------------------------------------------------------------------------------------- He grabbed a pool cue from a corner rack. The bar was somewhat of a dive with dirty concrete floors and cracked brown wall panels covered by decades old beer signs. The only new embellishments included new lights over the pool tables and large screen led televisions with 24 hour sports blaring. The pool cue he grabbed was one of the old ones; it had so...

I'm throwing a fiction snippet up just for fun. I probably won't do many more, but if anyone likes this, I might post again. I enjoy being thrown into the middle of the action, and I want to see what others think. We often live vicariously through the work of others -- nightly television programs, crime novels, postmodern literature, neighborhood gossip, whatever our vice of the moment is. How often though do we really imagine what it would be like to truly participate in these other stories? Instead of relying on the distance that the fictional barrier creates, can we truly confront these other worlds? Or must we be content to live vicariously through stories told by others? Creating or narrating our own stories or adding to the overall discussion is always a possibility. I would like to continue that discussion, whether it be blurring the lines in writing, by putting ourselves in the place of others. Or, perhaps, just keeping an open mind to the other lives and possibilities...