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Showing posts with the label Setsuko Hara

Yasujirō Ozu Digression Two: No Regrets For Our Youth (1946)

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Akira Kurosawa's No Regrets For Our Youth (1946) stars Ozu's favorite lead, Setsuko Hara, in a prescient antifascist political vehicle. Kurosawa includes lots of dramatic action without a "pillow shot" in sight.

Yasujirō Ozu Film Two: Early Summer (1951)

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The second movie in Ozu's Noriko Trilogy, a series of films that stars the fabulous Setsuko Hara as a character named Noriko, although none of the films have the same characters. Thematically, many of Ozu's later films feel connected due to their emphasis on women's roles in post-war Japan and their similar English titles. They often deal with relatives who want to help marry off their single family members. In this one, the character Noriko is living in her family's home when her uncle (Kokuten Kodu) suggests that since she is 28, she should get married. Ozu always handles this common theme with subtlety and understanding of family dynamics.  Complications arise fairly quickly, and the family's plans go awry. They want Noriko to marry her boss's forty-year-old businessman friend, Mr. Manabe, but she has different plans. The mother of her widowed childhood friend Kenkichi Yabe (Hiroshi Nihon'yanagi) asks Noriko to marry her son. When she says yes, it aliena...

Yasujiro Ozu Explorations

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I am going to start a new series on Yasujiro Ozu's films in the upcoming weeks where I rank and write capsule reviews for fifteen of his films. I have started watching a representative portion of his filmography, ranging from the silent comedies to his later works that deal with family, marriage, and society in the post war years, including the Noriko trilogy ( Late Spring , Early Summer , and Tokyo Story ) and all the movies he made with the incomparable Setsuko Hara. So far this project has been fun, and I cannot wait to share the results. Prepare for a discussion surrounding culture, dialogue, and the ever-present tatami shots.