Snobbin: Beautiful Trash in the Pop Culture Gutter

Califone's Stitches fulfills their role as the ultimate purveyors of slow, experimental indie-pop songs that flirt with elements of incidental music and soundtrack collage. They seamlessly blend the elements of postrock and 70s singer/songwriter conventions, while developing a soundtrack that approximates the weirdest movie-fan dream.     From the first track, “Movie Music Kills a Kiss,” they navigate this landscape, creating music that pushes this aesthetic into overdrive. Tim Rutili sings “Karen Black forgets the words / Like Memphis when the rapture breaks,” painting a seamless merging of story and song in which their acoustic harmonics and dissonant noises create a perfect backdrop for the gentle lyrics. The title track begins with a smattering of electronics before new wave vocals creep in. The sweet intermingling of   voice and the backup vocals seems disembodied from the music until he sings “the Chinese opera shows the stitches.” Califone's lyrics resemble...

Cardinology takes a little time to appreciate. At first listen, it seems all too familiar, yet unsatisfying. Not dissimilar from Easy Tiger , the songs are pure pop songs yet they are more complex than those found on Easy Tiger incorporating more of Adam's love for the Grateful Dead with more dead-influenced guitar work. The power of Easy Tiger lay in its familiarity coupled with Adam's seemingly newfound direction and lauded consistency, yet after ten or so songs each song began to blend together leaving the listener appreciating the album, but remembering little of it. A few songs stood out, particularly the personal call-to-arms song, “Halloweenhead,” but overall the surprise element, the where will he go next element so integral to Adams varied songwriting, was missing. Cardinology may not be as consistent an album (there are a few misses, particularly the arena rock U2-aping song, “Magick”), but it does an amazing job showcasing Adam's songwriting, and more imp...

 Since I watched 365 films, I decided to delve into the best films I watched in 2017. 25. Rollerball Norman Jewison's Rollerball is fun to watch, and its portrayal of a man expressing his individuality in a society that threatens to completely control him is apt even in today's world. The sport of Murderball is brutal and when the executives continually change the rules, he struggles to maintain. Yet he manages to succeed, despite the fact that he will possibly ultimately fail. The sport is interesting, if a bit unrealistic, and the performances, especially that of James Caan, take the story beyond its generic science fiction trappings. 24. Jules and Jim Truffaut was one of my favorite directors this year, so it was hard to narrow down which films I wanted to put on this list. I picked Jules and Jim because I felt adversarial about it and had to think about the story and cinematography to really understand its value. The film's romantic love triangle is hard to w...

I recently finished watching the last season of Longmire , a show that I believe only got better when it moved to Netflix. A & E cancelled it, despite good ratings, because it did not directly appeal to the 18-35 age demographic. The writing and plot development improved as the show started focusing more on major themes and story lines and not story-of-the-week subplots. While the show's general premise is typical cop show fare, the strong characterization and settings give the show a primacy over similar procedurals. While I enjoyed the show, I never got around to reading the books even though I watched dutifully for six seasons. Once I started reading The Cold Dish , I realized how hard it will be not to binge the book series. The books are a treat. Craig Johnson's prose is punchy, and the characters are even better realized. Walt Longmire's love for Rainier beer and obscure literary metaphors, as well as other character's predilections and habits, become crys...

Chevalier is Greek writer/director Athina Rachel Tsangari's third fictional feature, filmed after her 2010's Attenberg won a number of international awards. Chevalier was selected  for the Best Foreign Language Film at the 89th Academy Awards but not nominated   She co-wrote this absurd, yet life-affirming film, with Efthymis Filippou, known for writing the absurdist The Lobster with Yorgos Lanthimos. This beautifully shot film captures the beauty of the voyage, but often shows the claustrophobic nature inside the ship through over the shoulder shots and extreme close-ups. Christos Karmanis' cinematography adds another dimension to the dark, humorous actions of the characters.  Chevalier tells the story of six men on a fishing trip in the Aegean Sea who decide to play a game to determine which is the best and win a coveted Chevalier signet ring. Each man comes up with a competition to challenge the others. The game leads to bizarre moments and even fighting at times as...

Michael Mann's Thief is a rare neo noir that captures the style of early noir without sacrificing any of the substance and power of the genre. Based on the 1975 novel, The Home Invaders: Confessions of a Cat Burglar , written by a real-life jewel thief, it captures the drama of hard-lived characters making the wrong decisions based on personal codes of honor. The characters are realistic and well cast and the acting is top notch. The relationship between Frank (James Caan) and Jessie (Tuesday Weld) works because Frank emotionally bares his soul to her. He needs an anchor to leave his criminal life behind and pins his hopes on her. His one last heist leaves him alone again after he is double crossed. The final long take of Frank walking down the sidewalk after dispatching his enemies is poignant and memorable. 

So I made the crazy goal of watching 365 films in 2017 and writing a capsule review of each. My only rules are that I have either not watched the film before or it has been at least five years. I just subscribed to TCM's FilmStruck, a streaming service that will give me plenty of artsy, foreign and independent films to choose from, including many films from The Criterion Collection. I'm also thinking about subscribing to Warner Archive Instant for more classic Hollywood options. I've been meaning to watch more movies for awhile, and Netflix is just not cutting it. 1. The Killing of a Chinese Bookie (Director's Cut) John Cassavetes' 1976 crime film starring Ben Gazarra is a quiet triumph. What it lacks in plot, it makes up for in atmosphere and shaky hand held camera work. However, the camera work makes for a very personal and idiosyncratic experience. A cabaret owner, Cosmo Vittelli (Gazarra), who has a gambling problem, pays off his final debt to a loan shar...