Films I Watched in 2019 Part Two: 1911-1931

L 'inferno (1911), Francesco Bertolini, Adolfo Padovan, Giuseppe De Liguoro




The Conquest of the Pole (1912), Georges Méliès, Star Film Company



The Miracle (1912), Michel Antoine Carre, Joseph Menchen

The Student of Prague (1913), Stellan Rye and Paul Wegener, Deutsche Bioscop




The Patchwork Girl of Oz (1914), J. Farrell McDonald, Paramount

The Cheat (1915), Cecil B. DeMille, Paramount

Intolerance (1916), D.W. Griffith, Triangle Distributing Corporation



A Poor Little Rich Girl (1917), Maurice Tourneur, Artcraft



Shoulder Arms (1918), Charlie Chaplin, First National

The Hoodlum (1919), Sidney Franklin, First National



Dr. Jekyll and Mr. Hyde (1920), John S. Robertson, Paramount




A Sailor-Made Man (1921), Fred C. Newmeyer, Hal Roach Studios

Grandma's Boy (1922), Fred C. Newmeyer, Hal Roach Studios

Our Hospitality (1923), Buster Keaton and John G. Blystone, Joseph M. Schenck

Sherlock, Jr. (1924), Buster Keaton, MGM

Go West (1925), Buster Keaton, MGM

So This Is Paris (1926), Ernst Lubitsch, Warner Bros.

College (1927), James W. Horne and Buster Keaton, United Artists

Steamboat Bill, Jr. (1928), Charles Reisner and Buster Keaton (unc.), United Artists

High Voltage (1929), Howard Higgin, Pathe Exchange

Conspiracy (1930), Christy Cabanne, RKO

The Phantom (1931), Alan James

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