365 Films in 2017 #25-35

25. Cutter's Way (1981), Ivan Passer, United Artists

26. Decline of Western Civilization (1981), Penelope Spheeris

27. The Wrecking Crew (2008), Denny Tedesco, Magnolia Pictures


28. I Am Not a Serial Killer (2016), Billy O'Brien, IFC Midnight

29. In Order of Disappearance (2014), Hans Petter Moland

30. Greenwich Village: Music That Defined a Generation (2013), Laura Archibald

31. The Man Who Knew too Much (1956), Alfred Hitchcock, Paramount

32. Sabotage (1936), Alfred Hitchcock, GFD

33. The Intruder (1962), Roger Corman, Pathé-America Distrib.Co.


34. The Friends of Eddie Coyle (1973), Peter Yates, Paramount

35. The Long Good Friday (1980), John Mackenzie, Paramount

Comments

Post a Comment

Popular posts from this blog

Contractions: Henry Standing Bear's Ethical Code

Image
I recently finished watching the last season of Longmire , a show that I believe only got better when it moved to Netflix. A & E cancelled it, despite good ratings, because it did not directly appeal to the 18-35 age demographic. The writing and plot development improved as the show started focusing more on major themes and story lines and not story-of-the-week subplots. While the show's general premise is typical cop show fare, the strong characterization and settings give the show a primacy over similar procedurals. While I enjoyed the show, I never got around to reading the books even though I watched dutifully for six seasons. Once I started reading The Cold Dish , I realized how hard it will be not to binge the book series. The books are a treat. Craig Johnson's prose is punchy, and the characters are even better realized. Walt Longmire's love for Rainier beer and obscure literary metaphors, as well as other character's predilections and habits, become crys...
Read more

Do you remember huH Magazine?

Image
The other day when I was writing the "Track This" for Jawbox's "Cooling Card," something jogged my memory about music magazines I had read in my formative years, particularly those published while I was still in High School. Many, if not most, of them are gone now. They gave way to blogs and online publications. These include zines like Flipside , which covered mainstream and underground bands -- they also had some of my favorite columnists of all time, Punk Planet , which ventured further into Indie rock as it progressed, and MRR , which is still going strong. The magazines that I read often included Alternative Press and Magnet , as well as Ray Gun Publishing's huH which turned me on to a ton of great music because it included a cd with each issue that served as a sampler for what had been released that month, divided by genre. While other magazines did this, huH undoubtedly was more inclusive in the types of bands these cds covered. In fact, these col...
Read more

The Legacy of the Joke Band (Disguised as an Analysis of Ween): Part One

Image
Recently, my friend Joe and I were continuing our age-old battle concerning the merits of Ween, a band that is often labeled a joke band, who recently broke up after years of creating musically proficient, genre-bending "joke" songs. A quick search on the internet shows that Ween has battled this label for years, and they probably tend to even welcome it, given such song titles as "Poop Ship Destroyer" and "Spinal Meningitis (Got Me Down)." Yet in later years, the boys in Ween proved excellent songwriters, who could assemble a killer band. Their various pastiches of different genres helped define the "Ween Sound," a far-reaching enterprise, indeed. Whether creating twisted country records with actual country session musicians on 1996's 12 Golden Country Greats , giving into their psychedelic tendencies completely on 1997's The Mollusk , or perfecting the pop song throughout their catalog, Ween always surprised. The Zappa comparisons wer...
Read more