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Track This: The Jam-Down in the Tube Station at Midnight

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The Jam's "Down in the Tube Station at Midnight" has been one of my favorite Jam tracks since I first purchased Greatest Hits in 1995. Long before I listened to all their records, and just when I was beginning to dip my toe, into Paul Weller's increasingly lengthy catalog, I would play the track on my beatdown boom box. Sequestered among rock posters and stacks of comic books, I marveled at Weller's detailed songwriting that told of another side of British culture different from what I got from The Clash, my favorite British band at the time. While I loved early Jam tracks like "Eton Rifles" and "The Modern World" and later got heavily into the later soulful tracks, especially "Town Called Malice" and the ballad "The Bitterest Pill (I Ever Had to Swallow)," "Down in the Tube Station" grabbed hold of my teenage imagination and would not let go. The imagery and story-telling alone sucked me in, but the music seal...

365 Films in 2017 #149-158

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149. Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964), Stanley Kubrick, Columbia 150. Never Weaken (1921), Fred Newmeyer and Sam Taylor, Pathe Exchange 151. The Kid (1921), Charlie Chaplin, First National 152. Megaforce (1982), Hal Needham, 20th Century Fox 153. Ticks aka Infested (1933), Tony Randel, Republic 154. The Tingler (1959), William Castle, Columbia 155. Boone the Bounty Hunter (2017), Robert Kirbyson, Vision 156. Chopping Mall aka Killbots (1986), Jim Wynorski, Concorde 157. If A Tree Falls: A Story of the Earth Liberation Front (2011), Marshall Curry, Oscilloscope Laboratories 158. The Over-The-Hill Gang (1969), Jean Yarbrough, Thomas-Spelling

365 Films in 2017 #139-148

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139. The Corpse Grinders (1971), Ted V. Mikels, 140. Killer Cop (1975), Luciano Ercoli, Prouzioni Atlas consorziate    141. Farewell, My Lovely (1975), Dick Richards, Avco Embassy  142. The Big Combo (1955), Joseph H. Lewis, Allied Artists 143. Border Radio (1987), Allison Anders, Dean Lent, and Kurt Voss, International Film Marketing 144. The Benchwarmers (2006), Dennis Dugan, Columbia 145. Thor: The Dark World (2013), Alan Taylor, Marvel Studios 146. Brother's Keeper (1992), Joe Berlinger and Bruce Sinofsky, Wellspring 147. Three Colours: Blue (1993), Krzysztof KieÅ›lowski, Miramax 148. Three Colours: White (1994), Krzysztof KieÅ›lowski, Miramax

365 Films in 2017 #129-138

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129. X-Men: Days of Future Past (2014), Bryan Singer, 20th Century Fox 130. X-Men: Apocalypse (2016), Bryan Singer, 20th Century Fox 131. Suicide Squad (2016), David Ayer, Warner Bros. 132. Ant-Man (2015), Peyton Reed, Marvel Studios 133. The Man Who Wasn't There (2001), Joel Coen, Gramercy 134. Captain America: The Winter Soldier (2014), Anthony and Joe Russo, Marvel Studios 135. Captain America: Civil War (2016), Anthony and Joe Russo, Marvel Studios  136. Only The Lonely (1991), Chris Columbus, 20th Century Fox  137. The Penalty (1920), Wallace Worsley, Goldwyn 138. The Phantom of the Opera (1925), Rupert Julian, Universal

Brief Nights of Madness

The situation ain't real Like a world ending in pain Cataclysmic in poetry Like my great grandmother in 1925 What is the movie they're watching? Chaplin or Lloyd or the twin Diablo? There's a world alight like Watts Magically, the end. Ha, ha, ha. This is it. Foiled. Like a praying mantis. Poised for the kill. A reader of the red. The classic parabola. What's that? Ho ho ho. The life of Reilly? There's a world out there. Ask Mick Jones.

365 Films in 2017 # 119-128

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119. City Lights (1931), Charlie Chaplin, United Artists 120. The Freshman (1925), Fred Newmeyer and Sam Taylor, Pathe 121. Gator (1976), Burt Reynolds, United Artists 122. Gold Rush (1942 re-release), Charlie Chaplin, United Artists 123. What Comes Around (1985), Jerry Reed 124. Sharky's Machine (1981), Burt Reynolds, Warner Bros. 125. A Lizard in a Woman's Skin (1971), Lucio Fulci, AIP 126. Stick (1985), Burt Reynolds, Universal 127. Safety Last (1923), Fred Newmeyer and Sam Taylor, Pathe 128. Dr. Jack (1922),  Fred Newmeyer and Sam Taylor (uncredited), Pathe

365 Films in 2017 #109-118

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109. Judex (1963), Georges Franju, CFFP 110. Five Women for the Killer (1974), Stelvio Massi 111. Blank Generation (1980), Ulli Lommel 112. Why Worry? (1923), Fred Newmeyer and Sam Taylor, Pathe Exchange 113. Girl Shy (1924), Fred Newmeyer and Sam Taylor, Pathe Exchange 114. Lone Wolf and Cub: Baby Cart to Hades (1972), Kenji Misumi 115. Eyes Without a Face (1960), Georges Franju, Champs-Elysées 116. Straight Outta Compton (2015), F. Gary Gray, Universal 117. The Godfather (1972), Francis Ford Coppola, Paramount 118. Delinquent Daughters aka Accent on Crime (1944), Albert Herman, Producers Releasing