Snobbin: Beautiful Trash in the Pop Culture Gutter

I've been trying to write more. For the past year, I have mostly been working on my doctoral dissertation on true crime and little else. Every once in a while I work on the ongoing novel or a poem or a short story. I write a daily to-do list that always contains a blog post along with job applications, abstracts, and the perpetual expected pages of revision. I seldom get to it, but I usually finish about half of my list. Today I am working on procrastination by listening to a live Drive-by Truckers set from Charlotte in 2004. It is pretty damn good in short. Maybe I will get around to reviewing it one of these days. In preparation for this post, I looked through my pictures because I hoped that I could blog about some outdoor photos I took. No such luck today. A shortage of funds and time has kept me indoors, slaving away over text I wrote a year ago and sending in abstracts to journals that will undoubtedly reject them. But that is the life. I will be posting some pictures soon ...

When I was a kid, we would often go for dinner at Paul Bunyan's Cook Shanty in Minocqua, Wisconsin. I marveled over the large slices of white bread with butter, the tin cups filled to the brim with milk and water, and the manufactured ambience of the old lumber industry that covered the walls. I loved that place and still do; there was something about it that dredged up old memories, remembrances of a past that never existed merging with a real past. The lumber industry was a major part of American history as the demand for timber rose in parts of the country that had little access to giant timber. At its peak, in 1900, annual production of lumber reached around 35 million board feet and the Midwest was depleted of much of its virgin timber. Major industries, such as railroad and coal mining, depleted resources as the nation entered a period of expansion and technological development after the Civil War. Lumberjacks maintained a sense of identity and traditional pride even...

I haven't been blogging much or doing other writing because I am currently revising my dissertation and feeling the gloom of being in school for so long with no glimmer of light at the end. I've been in a perpetual dark hallway, bumping and bouncing off the walls, feeling sicker than ever as I look for academic jobs, while trying to get published. Many days I feel like I have zero skills, zero prospects, and zero opportunities. I'm not getting any younger, and there are times when I feel like I have made some very regrettable mistakes. Yet I also know that this is what I want to do, so I'm going to finally get the dissertation done. Then I can think about paying back student loan debt and moving on into the light. Music has been my saving grace as always. Coming off of a two week sinus infection, I reloaded my MP3 player and put it on shuffle only to be hit with a barrage of old country songs, mostly of the trucker persuasion. I have been spending tons of my time li...

6. Baroness - Purple (Abraxan Hymns)   Savannah, Georgia's Baroness returns with another intricate record that relies less on experimentation and focuses more  on tuneful songwriting than most of their earlier catalog. Their two guitar attack is clean and tuneful, and John Baizley's vocals hit a sweet spot between hardcore growler and 90s indie singer. Equal parts metal, indie rock, prog, and (dare I say it) hard rock, are all present in an inventive mix. "Shock Me" stands out with its tight drumming, clean guitars, and tasty phasers. The brilliant guitar solos and innovative arrangements are proof that Baroness is getting more interesting and dynamic with each new release. While they are rooted in metal, they continually push the boundaries of the genre, bringing in disparate elements from all over the musical landscape.  Purple relies more heavily on melody and  power, and Baroness effortlessly mixes its influences to create the last heavy musical hom...

13. The Sonics - This is the Sonics (Revox) Who would expect a band that hasn't released a record for more than forty years to rock so hard? This is the Sonics undoubtedly shows that rock and roll is not necessarily a young person's game. The Sonics prove they still have what it takes in spades, delivering a record that has all the power of their early recordings with the levels turned up to eleven. The recording sounds crisp and clean, and the band has power to spare. The mono recording captures the power and passion of a group that sounds psyched to still be playing together and does not lessen the sheer visceral impact of their chosen material and performances. While it does not quite match the intensity of their 60s recordings, the album packs a wallop. Gerry Roslie still has the pipes to belt out frantic rock and roll numbers and Larry Parypa plays some riffs that could teach the youngsters a thing or two. Rob Lind blows his sax with the expected squall. Th...

Honorable Mentions (In No Particular Order): Fuzz - Fuzz II (In The Red) Meatwave - Delusion Moon (SideOneDummy) Hop Along - Painted Shut (Saddle Creek) The Bottle Rockets - South Broadway Athletic Club (Bloodshot) Lucero - All A Man Should Do (ATO) Will Johnson - Swan City Vampires (Undertow) Turnpike Troubadours - Self-Titled (Bossier City) Lou Barlow - Brace the Wave (Domino) Eileen Jewell - Sundown Over Ghost Town (Signature Sounds) Yo La Tengo - Stuff Like That There (Matador)

The Replacements have been one of my favorite bands for a very long time, and they have been getting me through some tough times lately. My dissertation is nearing the halfway point, and I have not had a moment to blog lately. I can't believe it's been two months. Today the playlist contained some Sonic Youth followed by the Replacement's amazing Let It Be , an album that changes those who listen intently. Picking a track to review from such a monumental album is extremely difficult. Where does one start? The album begins with the classic, propulsive rocker, "I Will Dare," and does not let up. "My Favorite Thing" is a pure pop wonder. "We're Comin' Out" has one of the coolest punky riffs of the band's early period before they signed to Sire. It recalls Husker Du more than most of their other songs. "Tommy Gets His Tonsils Out" is another punky piss-take, showcasing Paul Westerberg's sense of humor. "Androgynou...