Snobbin: Beautiful Trash in the Pop Culture Gutter

6. Baroness - Purple (Abraxan Hymns)   Savannah, Georgia's Baroness returns with another intricate record that relies less on experimentation and focuses more  on tuneful songwriting than most of their earlier catalog. Their two guitar attack is clean and tuneful, and John Baizley's vocals hit a sweet spot between hardcore growler and 90s indie singer. Equal parts metal, indie rock, prog, and (dare I say it) hard rock, are all present in an inventive mix. "Shock Me" stands out with its tight drumming, clean guitars, and tasty phasers. The brilliant guitar solos and innovative arrangements are proof that Baroness is getting more interesting and dynamic with each new release. While they are rooted in metal, they continually push the boundaries of the genre, bringing in disparate elements from all over the musical landscape.  Purple relies more heavily on melody and  power, and Baroness effortlessly mixes its influences to create the last heavy musical hom...

13. The Sonics - This is the Sonics (Revox) Who would expect a band that hasn't released a record for more than forty years to rock so hard? This is the Sonics undoubtedly shows that rock and roll is not necessarily a young person's game. The Sonics prove they still have what it takes in spades, delivering a record that has all the power of their early recordings with the levels turned up to eleven. The recording sounds crisp and clean, and the band has power to spare. The mono recording captures the power and passion of a group that sounds psyched to still be playing together and does not lessen the sheer visceral impact of their chosen material and performances. While it does not quite match the intensity of their 60s recordings, the album packs a wallop. Gerry Roslie still has the pipes to belt out frantic rock and roll numbers and Larry Parypa plays some riffs that could teach the youngsters a thing or two. Rob Lind blows his sax with the expected squall. Th...

Honorable Mentions (In No Particular Order): Fuzz - Fuzz II (In The Red) Meatwave - Delusion Moon (SideOneDummy) Hop Along - Painted Shut (Saddle Creek) The Bottle Rockets - South Broadway Athletic Club (Bloodshot) Lucero - All A Man Should Do (ATO) Will Johnson - Swan City Vampires (Undertow) Turnpike Troubadours - Self-Titled (Bossier City) Lou Barlow - Brace the Wave (Domino) Eileen Jewell - Sundown Over Ghost Town (Signature Sounds) Yo La Tengo - Stuff Like That There (Matador)

The Replacements have been one of my favorite bands for a very long time, and they have been getting me through some tough times lately. My dissertation is nearing the halfway point, and I have not had a moment to blog lately. I can't believe it's been two months. Today the playlist contained some Sonic Youth followed by the Replacement's amazing Let It Be , an album that changes those who listen intently. Picking a track to review from such a monumental album is extremely difficult. Where does one start? The album begins with the classic, propulsive rocker, "I Will Dare," and does not let up. "My Favorite Thing" is a pure pop wonder. "We're Comin' Out" has one of the coolest punky riffs of the band's early period before they signed to Sire. It recalls Husker Du more than most of their other songs. "Tommy Gets His Tonsils Out" is another punky piss-take, showcasing Paul Westerberg's sense of humor. "Androgynou...

  When I was a young and impressionable punk rock kid in the 1990s, I went down a lot of paths. I was indoctrinated into the fold like many a naïve youth of the time by Green Day and then after pursuing their earlier albums and the Lookout Records catalog, I stumbled on to Fat Wreck Chords and Epitaph before disappearing ever further into the underground and classic hardcore. I flirted with many labels and have moved into other genres practically entirely, but I never forgot my love for those earlier records. The Shit Split , the joint collection from Bay Area crusty bands, Blatz and Filth, was one that was stamped indelibly on my mind, and I wish I had been in the scene when it was released in 1991. I made up for lost time when I got it later on CD, but I now I wish I had invested in the vinyl. I do have the 7 inches because I scoured every bin for Lookout releases for years. Blatz's “Cheaper Than The Beer” has been a longtime turntable favorite, but I was always partial to t...

The side streets are slick and worn as I walk daily to the college working on frustrations as old as time in holey shoes and slighted ambition My twisted ankle, my mucked up transmission tiny travesties leading to submission of mind, of thought, of body rot in flooded back alleys and musty university towns I walk past solemn green and dirty brick a facade thrown across the earth darkened windows hide secrets in the midst of wind-bent trees The fragile ecosystem of roadwork and wax shelters my way through the days past Sycamores and White Oaks unlit houses and the cries of feral cats

Booker T. Jones' organ playing is a thing of beauty -- serene, yet expressive, propelling a late night vibe or a Sunday morning, post-church feeling. Transcendental, his playing is unmatched and recognizable, especially on the opening bars of "Behave Yourself," a fine equal and b-side to the group's ubiquitous 1962 single, "Green Onions," on which the organist lays down nimble melodies.The rest of the group never slouches either. Lewie Sternberg's bass lines are measured and supremely funky, just bubbling under the surface throughout the piece and superbly melding with Al Jackson's simple kit work. Steve Cropper takes the lead from Jones' organ to lay down a nice southern soul guitar line once in awhile, but Jones is the master of the game here, varying his playing but vamping as the tight rhythm section backs him up. Alternating patterns of sweetness explode as the group holds down the tight vibe, Cropper's repeating guitar figures taki...