Snobbin: Beautiful Trash in the Pop Culture Gutter

Starting with Steve Shelley's basic drum fills before the brightly ringing guitars begin,  matching the drum beats, "Schizophrenia" from Sonic Youth's 1987 album Sister . builds in an orderly fashion that feels loose over Thurston Moore's vocals, slightly recalling the track "Bull in the Heather" from 1994's Experimental Jet Set, Trash and No Star.  Chiming guitars answer the drums and bass throughout the song's nearly five-minute running time. Sonic Youth became the masters of this droning guitar dialectic with their different guitar tunings (in this case, F#F#GGAA for Thurston and DDDAA for Lee Renaldo) that they used to build a style and sound that was nearly unique in the early 1980s but meshed well with similar guitar interplay by contemporary indie bands like Dinosaur Jr. and Built to Spill.  After the first vocal part, the song becomes more schizophrenic with squealing, harmonic guitar interplay and minimal cymbals. This continues through ...

Jonathan Goes Country is undoubtedly my favorite Jonathan Richman record as I return to it much more than the others, despite such classics as I, Jonathan and Back in Your Life,  having many amazing tracks. Of course, The Modern Lovers records are also filled with incendiary classics. Something about Jonathan Goes Country resonates more with me than most on a song-by-song album level. Almost all the tracks have a place in showing that Richman can make country records with the best of them. The album's composition adds to its cohesion: five covers that honor the country canon while adding Richman's inimitable spin and seven originals that fit right in. He reworks three ("The Neighbors," "You're the One for Me," and "Corner Store") from his earlier albums, although you would never know he didn't write them for the album.  The record has few lows and many highs, cohesively fitting Richman's sound and style into the country idiom while reta...