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Films I Watched in 2018

This year's viewing was a mixed bag. I ended up watching a ton of exploitation because I am trying to catch up on the DVD collections I own. Then I moved to Arkansas and did not have internet for a couple of months.

1. The Killing of a Sacred Deer (2017), Yorgos Lanthimos, A24
2.John Wick (2014), Chad Stahelski, Thunder Road
3.The Lure (2015), Agnieszka Smoczynska, Kino Swiat
4. Stage Door (1937), Gregory La Cava, RKO
5. The Milky Way (1936), Leo McCarey, Paramount
6. Adam's Rib (1949), George Cukor, MGM
7. Ghidorah, the Three-Headed Monster (1964), Ishiro Honda, Toho
8. Madhouse (1974), Jim Clark, AIP
9. The Anatomy of a Murder (1959), Otto Preminger, Columbia
10. Get Out (2017), Jordan Peele, Universal
11. Logan (2017), James Mangold, 20th Century Fox
12. John Wick 2 (2017), Chad Stahelski, Summit
13. Bulldog Drummond at Bay (1947), Sidney Salkow, Columbia
14. Dr Detroit (1983), Michael Pressman, Universal
15. High and Dizzy (1920), Hal Roach, Pathe Exchange
16. Ask Father (…

Top Records of 2018

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In no particular order this year.


Dawn Landes- Meet Me At The River (Yep Roc)


Austin Lucas- Immortal Americans (Cornelius Chapel)


Pig Destroyer-Head Cage (Relapse)


Fucked Up-Dose Your Dreams (Merge)


Sleep-The Sciences (Third Man)


Ken Mode-Loved (Season of Mist)


Grant Lee Phillips-Widdershins (Yep Roc)


Damien Jurado-The Horizon Just Laughed (Secretly Canadian)


Superchunk-What a Time To Be Alive (Merge)


Nothing-Dance on the Blacktop (Relapse)


War on Women-Capture the Flag (Bridge 9)


Neko Case-Hell-On (ANTI-)


Jeff Rosenstock-POST- (Polyvinyl)


Lucero-Among the Ghosts (Liberator)


Bettye Lavette-Things Have Changed (Verve)




The Tragic and Fatal Art of Making a Mixtape

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There is an age-old mixtape code that does not allow for much recopying. The tape you make for one person should not be given to another. This does not stop these tapes from being recopied if they are good, usually by the receiver of said tape without the knowledge of the author, carrying on the tradition of musical choices and adding more variety to one's musical taste. Tapes can throw a monkey wrench into the works and introduce an interesting theme that needs to be carried on, or a genre that has not been explored. One of these types of thematic tapes turned me on to power pop, and more recently music blogs have taken over some of the work of mixtapes, introducing me to older rock and country stuff that I would have missed. Mixtape etiquette also assumes that the tape will be a labor of love. Now mixed CDs or playlists do not have to be listened to as they are made. Those old mixtapes required that the creator would have to listen to each song as they recorded it, in effect be…

Track This: Sun Ra's "Nuclear War"

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"If you're not mad at the world, you don't have what it takes. The world lacks for warriors. You have to prepare yourself accordingly." - Sun Ra

Sun Ra's 1982 song "Nuclear War" is an epic seven minute meditation on the state of violence in our world. I first heard Yo La Tengo's first version on WFMU's Beware of the Blog. It was an interesting choice for the New Jersey trio, even with their penchant for strange covers, in a particularly languid arrangement, but Sun Ra's original blew me away once I tracked it down and let it simmer for awhile. Sun Ra's bold anti-nuclear war sentiment coupled with swearing and funkiness that would do Funkadelic justice make this one of the strangest pleas for peace.

The track adds to the Sun Ra legend because apparently he thought it could be a successful single. In an Allmusic review of the Nuclear Waralbum, Al Campbell writes that Sun Ra was" so sure the funky dance track was a hit, he immediately …

Track This: SNFU's "Reality is a Ride on the Bus" and other Realities

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When I first heard SNFU's "Reality is a Ride on the Bus" (1993) on Epitaph Record's first Punk-O-Rama compilation, it shook me a little bit. Mr. Chi-Pig chronicles a nightmarish scenario on a city bus that could be masquerading as social conscience or punk rock bravado. While dealing with a similar situation to Bad Religion's "Struck A Nerve" from the same year, which chronicles poor people on a bus and questions why their lives are so terrible, SNFU provides zero solutions. Instead, the narrator imagines the disfigured people that await him with little consideration for them. Does he feel sorry for those he will meet? No, he just hides behind a book. Part Ramones-Part D.O.A., this song blusters about social anxieties. 

"My face is buried inside a book
Everybody's wearing a haggard look
The sirens scream, a baby cries
Everyday on this bus I ride."

"Reality is a Ride on the Bus" - SNFU (1993)




Track This is a recurring feature of Snobbin…

Realities: Jean Shepherd and Randy's Only Defense

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“The reality of what we really are is often times found in the small snips, way down at the bottom of things.” - Jean Shepherd



I watched Bob Clark's Christmas Story (1983)for the first time on TBS, years before TNT started broadcasting the film twenty four hours a day in 1997. I soon became an obsessive fan of the film, watching it over and over again every Christmas. Now I probably watch it once a year, but its lessons and humor have affected my life significantly, and I quote the film more than I should. I started reading Jean Shepherd's short stories and listening to his old WOR radio show. Many of these have been archived on the internet spanning a period from the early 50s to the late 70s. 
According to lore, Shep usually told his stories without a script, ad-libbing about certain characters and scenarios, and commentating on culture and society. 

I particularly identify with his stories of the Midwest because I grew up there fifty years later, but not that much changed when…

Track This: The Clash's "Something About England"

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Sandinista! often gets short shrift in discussions of The Clash's output. Critics and fans discuss it in dismissive tones, often viewing it as a failed experiment that should have been released as a single LP, not a triple. To be fair, there are quite a few people that view it as an underrated masterpiece that shows how effective the band was at disparate musical styles and gives more credence to the growth of their songwriting. The conventional approach in the punk rock community these days is to entirely dismiss the Clash and treat them as a punchline, except for their first record, which will always remain the classic for punk fans because it includes straightforward angry, punk numbers. However, these are not often punk enough. London Calling remains their acclaimed classic rock masterpiece, while Combat Rock is their breakthrough. Fortuitously, the only radio track off London Calling is continuously played on classic rock radio alongside Combat Rock's "Rock the Casba…